My work obsessively discusses the self, myself. I prefer paint to personal statement. 


I seek an ever-evolving and fantastically unattainable personal definition of perfection. I snub all of my past selves and their decisions, and then I talk about it.

Nearly all of my work finds its basis in photography. I like to blur the line between the vernacular and constructed using oil and pigment.

Common experiences and recognizable feelings exist. Those aside, only I know the details. I take comfort in the push and pull of control in my work. Painting is a largely selfish endeavor in which I always retain the last word.