My work obsessively discusses the self, myself. I prefer paint to personal statement. 

 

I seek an ever-evolving and fantastically unattainable personal definition of perfection. I snub all my past selves and their decisions, and then I talk about it. Nearly all my work finds its basis in photography. My focus is self portraiture, through the lenses of family history, my femininity, and the pressure of expectations I’ve imposed upon myself since childhood. 

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I take comfort in the push and pull of control in my work. Painting is a largely selfish endeavor in which I always retain the last word.